A Rockin’ Little Record

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“Its a Rockin’ Little Record I want my Jockey to Play”

I know … there is really no connection between a long abandoned school that exudes this level of creepiness and one of the greatest songs in Rock and Roll history. But “Roll Over Beethoven” immediately popped into my head when I saw this at the abandoned school.

I doubt the needle has been sitting on the record since the property was vacated in the early 90′s, but its an intriguingly haunting thought, isn’t it? A record plays. A record stops. Everyone vanishes.

Conversion

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Its been a while since I’ve posted something from the Malden Mills in Lawrence. This was shot back in July with my newly acquired 24mm T/S lens. There were many reasons to buy it, and (my wife would argue) reason$ not to buy it.:-)

One of the reasons I wanted the lens is to get shots like this one – architecturally accurate images of the old mill buildings. That’s not to say keystone distortion is bad. I love the sense of scale it projects. My desire to grab images like this is simple. It preserves the historic record.

The HDR processing here is reflective of that goal as well (at least I hope it is … you are the ultimate judge). In processing these images I want to bring out the character and texture of the buildings. I’m not looking for drama and I don’t want to bring you into a fantasy world or a cartoon.

HDR can take you down so many paths. All are definitely worth exploring and, done right, they all can produce exceptional images. Just make sure your vision is clear and your composition is sound.

But I digress … The title, “Conversion,” has nothing to do with the image itself, but the property as a whole.  I recently found out that the Malden Mills properties are about to undergo construction. The interior of the buildings are going to be gutted and converted to apartments. I contacted the property owner about photographing the interior of the buildings before they go “under the knife.”

Keeping my fingers crossed.

The Best Laid Plans

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An image from the Washington Mill, which eventually became the Newark Paper Company, which now sits empty. It is monitored for security and safety, and sufficiently fire protected, but still, no business occupants.

Anyway, this drafting table is located in a room at the top of a stairway in the industrial section of the building. I shot it during an (authorized) Urbex shoot with Brian Matiash last month. I saw a sign that said “Not an Exit,”and thought, “if its not an exit, then it must be an entrance!” Unbeknownst to me, Brian brilliantly captured the sign that I didn’t give a second thought to. I proceeded to explore the next floor.

Glad I took the extra steps.

The Green Room

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I guess I could have tried to remove, or mitigate the ectoplasmic green cast in post processing. But since my goal is to present images as I saw them, I didn’t consider that option. It is what it is.

So what’s up with the green? The story behind it is really a lesson in how NOT to do an urbex shoot. Yes, I broke every rule.

It was shot at the same abandoned school I shot with Brian Matiash last weekend. I returned on my own, on a whim this past Sunday. I was in the general area dropping my son off at school and decided to swing by on my way home to scope out the site for a future visit. I did have my camera, but didn’t expect to shoot much.

At first glance, the rest of the campus didn’t appear to hold much promise. All of the buildings’ windows looked to be completely boarded up. Basically, that means little or no light is getting in. And that means no HDR photography – no light, no dynamic range. Not to mention the hazards of walking through a pitch black empty building alone.

Then I noticed an open window on one of the buildings. The boards had been removed and there was access to a room or two. I decided to check it out.

I went in and grabbed a couple of quick shots of the rooms that were illuminated by the open window. I had no intention of doing more, but my curiosity got the best of me. Armed with a flashlight, I decided to check out the rest of the building. I went from room to room, wishing the windows weren’t boarded up. Each room presented a new shot. But with no real light, I couldn’t shoot.

I went up to the second floor, again, guided only by the light of my tiny LED flashlight. Again, pitch black. I thought about leaving, but decided to check out the third floor.

As I approached the top of the landing, I noticed an eerie green light. “No turning back now,” I thought.

As eerie as the light was, it was less than otherworldly. The light emanated from a boarded up porch with a green fiberglass translucent roof. The three or four rooms facing the porch were wide open, allowing the subtle green light to leak into the rooms and hallway. Just enough to make HDR photography possible – with some pretty long bracket sets, of course.

This shot is of (if I can believe the sign on the door) the nurse practitioner’s office or lounge. Notice, no light from the windows on the far wall. Plywood will do that.

So … broken rules. I know Brian Matiash touched on it a couple of days ago. You need to be careful on shoots like these. This could have gone very badly.

  1. Tell someone where you are going and what you are doing. I told my wife I was going to shoot, but neglected to tell her where, or for how long. I also gave her no address.
  2. Shoot with a friend. I was shooting alone. Not a good idea in unknown territory, or even known creepy territory.
  3. Get permission. I had no permission. Its obvious that I am not the only one who has ever explored the property, so I was reasonably comfortable in doing so. But that may not be a good enough excuse, should the local authorities question your presence.

That said, I survived. Stay tuned for a couple more Green Room images. I’ll be folding them into the mix over the next couple of weeks.

Exit Light

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We hit the school at the right time of day. The sunlight cooperated by dropping in through the many skylights in the main hall and the corridors that flanked it. There were two types of skylights – the ones that were actually installed as part of the buildings design, and the gaping holes in the roof created by nature and neglect. The light on this wall was the result of the former.

It seemed odd to me, so much sunlight illuminating a place so dark and forgotten. While it made for good shooting, it made me wonder what this place was like when it was alive with activity.

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